Real analog footage. Shot on a Sony VX2000 — the same camera that defined a generation of skate videos, indie films, and raw visual culture. No filters. No LUTs. No faking it.
Every frame you see was captured on MiniDV tape in California — San Diego, Los Angeles, San Francisco. Streets, spots, coastlines, and everything in between.
Music videos. Fashion and streetwear campaigns. Social content that actually stops the scroll. Brand films that feel real because they are real.
If you want buttery analog footage that looks like it was shot in 2001 — it's because we've been shooting since 2001.
Tell us what you're working on. Music video, brand campaign, social content — whatever it is, if you want the real analog look, you're in the right place.
Lo-Fi Video isn't a trend we hopped on. It's where we started.
In 2000, we picked up a Sony VX2000 in Southern California — the same camera that was rewriting the rules for skate videos, indie filmmaking, and DIY visual culture. We learned to shoot on MiniDV tape, on the streets, with no crew and no playbook. Just the camera, the footage, and the feeling.
That was 25 years ago.
Since then, we've built a career in professional video production — but the VX2000 never left the shelf for long. Now, with the world finally catching up to what analog footage always was — raw, warm, filthy, and real — we're back to doing what we've always done.
25 years of production experience. Sponsored skateboarder since the late '90s. Shot in San Diego, LA, San Francisco, and across the western US. We've done six-figure documentaries, brand campaigns, and everything in between.
But on this site? We only do one thing. Buttery analog footage — the real kind. Not a preset. Not a plugin. The actual tape.
Sony VX2000. MiniDV. Fisheye. That's it. That's the setup. Same as it was in 2001. Same as it'll be tomorrow.